Scalo – Albuquerque, New Mexico (CLOSED)

Contrary to popular belief, Scalo was not already a Nob Hill fixture in 1706 when Don Francisco Cuervo y Valdés, governor and captain general of New Mexico, named a new settlement for the Duke of Alburquerque, then viceroy of New Spain.  Scalo didn’t actually open until December, 1986, but during its lengthy tenure it has such a degree of permanence in our memories and taste buds that it’s hard to believe it wasn’t one of the fabled paradors (an establishment where travelers could seek lodging, and usually, food and drink) along the Camino Real.  It would make sense because the word “Scalo” itself translates from Italian to “stopover.”  Then there’s Scalo’s revered spot on the now defunct Albuquerque Monthly.  On its tenth anniversary, the magazine created a “Best Of” Hall of Fame, listing the ten establishments–restaurants, bars, card stores, clothing stores, computer stores, galleries and more–which had received more “best of” votes during the decade of the 90s than anyone else. The first establishment listed was Scalo Northern Italian Grill, which was also perennial selection on the magazine’s annual listing of the city’s top ten fine-dining restaurants (other mainstays still serving the city include the Artichoke Cafe, Prairie Star and…

Canvas Artistry – Albuquerque, New Mexico (CLOSED)

“Edible art” isn’t just some trite phrase pedantic food critics use when food has aesthetic values that delight our senses. Mankind has been been intrigued by the concept of food as art since the dawning of rational thinking. Prehistoric cave paintings such as those in Les Trois Frères in Ariège, in southern France, depict families gathering around the fire to share the foods they had prepared, an event made possible by the discovery of fire. Fire, it goes without saying, was also the catalyst behind men first wearing aprons emblazoned with “kiss the cook.” Moving past prehistoric taggers scrawling graffiti on cave walls, edible art became more urban when Egyptians painted food on the walls of the great pyramids (ostensibly to nourish the dearly departed who had transitioned to the afterlife). During the halcyon days of the Greek and Roman empires, the depiction of food took on a more realistic tone when glass bowls of fruit were painted to denote the delicacies enjoyed by the one-percenters of the day (and some of those paintings still hang on the walls of many a Midwestern grandmother’s home). The reverence with which mankind esteems food in art has expanded almost as quickly as…